ec archives reprints

Michael Dean,

Gary Groth, Al Feldstein, Account & Lists Account Returns & Orders. And over time, their outré passion went on to infect the broader pop-cultural imagination. Al Feldstein, Jack Davis, Similar to the DC Archives and Marvel Masterworks series, the EC Archives superseded Cochran's original annotated EC Library (of black-and-white stories) by reprinting sequential compilations of EC titles in a full-color, hardback archival format with new annotations. The output of Bill Gaines' EC Comics line in the 1940s and 1950s is one of the most critically acclaimed of the pre-Comics Code comics publishers (and one of the major casualties of the Comics Code). In a somewhat-complicated move, the United States Post Office requested that the numbering of the "New Trend" title.

A contract was signed for the next two volumes, Tales from the Crypt vol. Harvey Kurtzman, Allen Jamison and Jamison Services had previously done coloring for the DC Archives. [10] Weird Science Vol. Buy The EC Archives: Vault Of Horror Volume 1 Reprint by Feldstein, Al, Wood, Wally, Craig, Johnny, Ingels, Graham, Kamen, Jack, Feldstein, Al, Davis, Jack, Harrison, Harry (ISBN: 9781888472738) from Amazon's Book Store. However, EC's black-and-white Picto-Fiction magazines are unlikely to be reprinted as EC Archives. Although the titles - Tales from the Crypt, Weird Science, etc.

“In my case, it was more like I poured myself into those books.” He added, “I remember staring into them in the trancelike way people will stare into a fire.”.

Featuring the work of such artists as Johnny Craig, Reed Crandall, Jack Davis, Will Elder, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, Joe Orlando, Al Feldstein and Wally Wood, the companies output has had a disproportionate influence far in excess of its relatively small numbers of issues.

But as in any good horror story, the tale had one last ghastly twist. Similar to the DC Archives and Marvel Masterworks series, the EC Archives superseded Cochran's original annotated Complete EC Library (of black-and-white stories) by reprinting sequential compilations of EC titles in a full-color, hardback archival format with new annotations. The EC Archives are a series of hardcover collections of full-color reprint collections of EC Comics, published from 2006 to present, by various publishers such as Russ Cochran and Gemstone Publishing, GC Press LLC, and currently, Dark Horse Comics.

Harvey Kurtzman, B Bernard Krigstein, Here reside an array of fanzines all of which have been kindly donated to our archive more ... Compilations. - are familiar even to people unfamiliar with the source material, even though the actual stories themselves have (unlike many early, pre-Code comics titles) been reprinted on a number of occasions, thanks largely to the actions of a single man: EC fan-turned-publisher Russ Cochran. Al Feldstein, Graham Ingels, On January 11, 2011, Cochran looked back on the project, noting the differences between his earlier EC Library and the later EC Archives: Each book reprints six issues for a total of 24 stories.

“And I think that in the very act of making a thing forbidden, you make it seductive. Johnny Craig,

Al Feldstein, Johnny Craig, In early 2009 several comic blogs reported financial difficulties at Gemstone Publishing, and a subsequent announcement was published on the Gemstone website stating "at this time, no final decision has been made regarding The EC Archives...but it seems certain that (they) will continue in some form."

The EC Archives are a series of American hardcover collections of full-color comic book reprints of EC Comics publications, published by Gemstone Publishing. You can almost hear the irrepressible Crypt-Keeper cackling: “Heh, heh, heh.”, Mr. Hill put it like this: “They were to me what Grimms’ fairy tales were to children in the 19th century.”. However, EC's black-and-white Picto-Fiction magazines are unlikely to be reprinted as EC Archives.

The EC Archives are an ongoing series of American hardcover collections of full-color comic book reprints of EC Comics, published by Russ Cochran and Gemstone Publishing from 2006 to 2008, and then continued by Cochran and Grant Geissman's GC imprint (2011-2012), and finally taken over by Dark Horse in 2013. in EC Archives: The Vault of Horror (2007), originally in The Vault of Horror 17 (February–March 1951).

John Severin,

Al Feldstein, The EC Archives are a series of American hardcover collections of full-color comic book reprints of EC Comics publications, published by Gemstone Publishing. Hey Kids Comics Wiki is a FANDOM Comics Community.

[2] Also contributing to the project at Cochran's West Plains office were operations manager Angela Meyer and production artist Chris Rock.

“Sometimes people will say, ‘I pored over that book for hours!’ “ he wrote. Just last month, Fantagraphics released two more albums in its EC Comics Library, started last year, and will soon publish its first volume of illustrator interviews in “The EC Artists.” Dark Horse Comics has revived the EC Archives, and will continue the series with “Tales From the Crypt: Volume 4,” next month. The United States Post Office requested that numbering of the New Trend title. A printing defect saw most copies withheld by the publisher for an erroneously missing cover illustration to be inserted.

Their publishing schedule has been suspended due to financial difficulties at Gemstone Publishing.

Their sense of humor informed National Lampoon, ‘Saturday Night Live,’ ‘Jackass,’ Eminem’s music, one out of every seven tweets on Twitter, and every gross joke in every comic ever.”. [3] Crediting Kronenberg as "Art Director/Designer and Color Editor" and Marie Severin for "Colors", Cochran explained the digital upgrade given to Severin's coloring; "Most of the original coloring of these stories is the work of EC colorist Marie Severin, and although all of these stories have been re-colored for this new edition, her style of coloring was followed to retain the integrity of the original EC comic books".

Buxom bombshells lounged on distant planets, cannibalism was a hobby, and the dead just didn’t know how to stay dead. In the early 1950s, comic book publishers, seeking to save money on second-class postage permits, frequently changed the titles of their comics, rather than start new ones at #1.

Mr. Hill savored those over-the-top moments and said you can find them in his own work: “Whenever I do a gross-out reveal (and a lot of times I’m aiming to gross out and get a laugh at the same time), I’m tossing a Tales From the Crypt special.”, The cover of the 1953 Tales of Terror annual, drawn by Al Feldstein — shown in IDW’s “Best of EC” — is essential macabre anarchy: As some poor sap is rubber-banded on a rack, sundry demons grin and caper, as the Old Witch, an EC mascot, tickles the guy’s left foot while the Crypt-Keeper, another mascot, looks on.

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